Zones of Indistinction: Giorgio Agamben's 'Bare Life' and the Politics of Aesthetics
March 2009
Lives lived on the margins of social, political, cultural, economic and geographical borders are lives half lived. Denied access to legal, economic and political redress, these lives exist in a limbo-like state that is largely preoccupied with acquiring and sustaining the essentials of life. The refugee, the political prisoner, the disappeared, the victim of torture, the dispossessed – all have been excluded, to different degrees, from the fraternity of the social sphere, appeal to the safety net of the nation-state and recourse to international law. They have been outlawed, so to speak, placed beyond recourse to law and yet still in a precarious relationship to law itself. Although there is a significant degree of familiarity to be found in these sentiments, there is an increasingly notable move both in the political sciences and in cultural studies to view such subject positions not as the exception to modernity but its exemplification. Which brings us to a far more radical proposal: what if the fact of discrimination, in all its injustice and strategic forms of exclusion, is the point at which we find not so much an imperfect modern subject – a subject existing in a ‘sub-modern’ phase that has yet to realise its potential – as we do the exemplary modern subject? What if the refugee, the political prisoner, the disappeared, the victim of torture, the dispossessed are not only constitutive of modernity but its emblematic subjects?
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ReferenceDowney, Anthony."Zones of Indistinction: Giorgio Agamben's 'Bare Life' and the Politics of Aesthetics.” Third Text 23.2, 2009: 109-125.